Nothing comes from nothing: The Supreme Court's Warhol Decision
Nothing comes from nothing: The Supreme Court's Warhol Decision (Part 1)
Get ready to smile: Kim Murton sculpts gentle joy in clay
The shape of the sounds: Getting to know Thérèse Murzda
A monumental snore (with a wink): Erik Geschke turns heroic sculpture on its head
Crazy quilts of clay scraps: Emily Ginsburg
Converge 45: To repair a wounded world
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Karla D Smith2023-06-16 13:33:512023-09-07 14:30:24art letter | no. 4. 2023 | june
Four chords and a dark mirror
Fresh with Color and Light: Chefas Projects
The wrong way/the right way: Memorializing Martin Luther King, Jr
Andy and Prince Go to Court
The Good, The Bad, and The Ugly
In Defense of Nonsense: John Vitale at Stephanie Chefas Projects
Bev Grant’s Photographic Record of Radicalized New York
Sherrie Wolf at Russo Lee: Wrong in Just the Right Way
A Decade of Paintings & An Invitation
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Karla D Smith2021-10-07 13:55:062021-11-18 12:55:54art letter | no. 4. 2021 | september
Beauty or Delusion...and the Urge to Create
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Karla D Smith2021-06-07 16:52:522021-11-23 11:37:50art letter | no. 2. 2021 | may
Flow and Beat, Advance and Retreat, Rise and Take a Bow...
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Karla D Smith2020-11-19 18:09:022021-01-21 19:51:07art letter | no. 6. 2020 | november
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Karla D Smith2020-09-25 17:11:272020-11-19 18:16:39art letter | no. 5. 2020 | september
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Karla D Smith2020-07-29 17:20:212021-08-28 16:10:05art letter | no. 4. 2020 | july
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Karla D Smith2020-06-05 16:17:212020-08-10 09:03:36art letter | no. 3. 2020 | May
Art, no bore: Inside outsider art
A Moose, a Giraffe, and Miro's Whimsy
Talking paintings and a troubled voice
Art letter: Reflections and gratitude, Next at Gallery 114
Art Letter: Art, the Bard, and street stories
InkBodySkinPaint+Fire: Opens this week at Gallery 114
Sparkle, sonnets, sea stories and hats
Sharing Gallery 114 with Owen Carey's powerful photos
Artistic musings and upcoming dates
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art letter | no. 6. 2024 | october
In 2016, Condé Nast published a magazine to commemorate the death of the rock star Prince. For the cover image it used one of Andy Warhol’s screenprint portraits of the musician. As Warhol had done with much of his art, including his more famous portraits of Marilyn Monroe, he created the print by adapting and manipulating a photograph, in this case one taken by Lynn Goldsmith. . .
Read the full Art Letter
This is the third and final part of Warhol and the Supreme Court.
Read or revisit part 1: the new law of creation and part 2: the new problem.
Read David’s Art Letter essay, Nothing comes from nothing, Part 3, featured in Oregon ArtsWatch